Step of Yu - tecnica chamanica - daoism

Han Dynasty depiction of Yu.

Yubu, translated as Pace(s) of Yu or Step(s) of Yu, is the basic mystic dance step of religious Daoism.

This ancient walking or dancing technique typically involves dragging one foot after another, and is explained in reference to the legendary Yu the Great, who became lame on one side of his body from exerting himself while establishing order in the world after the Great Flood. Daoist religions, especially during the Six Dynasties period (220-589), incorporated Yubu into rituals, such as the Bugang 步罡 "pace the Big Dipper", in which a Daoist priest would symbolically walk the nine stars of the Beidou 北斗 "Big Dipper" in order to acquire that constellation's supernatural energy.

 Yu The Great

It was under the reign of Emperor Shun that the legendary “Yu The Great” was challenged to subdue the flooding of the Yellow River, a task which – through some combination of magical and technological prowess – he accomplished with great success. He subsequently designed a system of dikes and canals which proved to be of great and lasting benefit to his people. The “Pace of Yu” – the dance-steps which transported him mystically to the stars, where he received guidance from the deities – is practiced even today in certain Taoist traditions.

 

Traditional Luoshu magic square attributed to Yu.

 

Daoism does not name a tradition constituted by a founding thinker, even though the common belief is that a teacher named Laozi founded the school and wrote its major work, called the Daodejing, also sometimes known as the Laozi. The tradition is also called “Lao-Zhuang” philosophy, referring to what are commonly regarded as its two classical and most influential texts: the Daodejing or Laozi (3^rd Cent. BCE) and the Zhuangzi (4^th-3^rd Cent BCE). However, this stream of thought existed in an oral form, passed along by the masters who developed and transmitted it before it came to be written in these texts. There are two major source issues to be considered. 1) What evidence is there for Daoist beliefs and practices prior to the two classical texts? 2) What is the best reconstruction of the classical textual tradition upon which Daoism was based?
With regard to the first question, Isabelle Robinet thinks that the classical texts are only the most lasting evidence of a movement she associates with a set of writings called the Songs of Chu (Chuci), and that she identifies as the Chuci movement. This movement reflects a culture in which male and female masters called fangshi, daoshi, or daoren practiced techniques of longevity and used diet, meditation and generated wisdom teachings. While Robinet’s interpretation is controversial, there are undeniable connections between the Songs of Chu and later Daoist ideas. Some examples include a coincidence of names of immortals (sages), a commitment to the pursuit of physical immortality, a belief in the epistemic value of stillness and quietude, abstinence from grains, breathing and sexual practices used to regulate internal energy (qi), and the use of dances that resemble those still done by Daoist masters (the step of Yu).